Book Overview

Anyezah

Anyezah tells the story of a 27-year-old college graduate woman who sets on a journey of self-discovery beginning from where her desire for marriage and a suitable career had ceased. She decided to reconnect with her roots and in the process, discover true love in an unanticipated way.

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Anwar

Anwar Fareed a 32 years old Sudanese Army officer was dispatched to the southern army divisions as a measure to restrain him. Arriving the town in the part of the country he has never been to before, he was to restrain his apprehension and realign with the regime. Arriving his new military station, he was as spontaneous as he had been and as a result was dispatched to a different area in the region. In his unrelenting sought to identify with the plights of war, he develops affection for a young woman who became his compatriot. This story depicts Anwar’s journey between the north and the south with many diverse individual characters that he met in his military journey.

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THE ART OF MOVING ABOVE THE LINE

My name is Rejoice Kur, my passion for coaching evolved over the years with the persistent drive of intense curiosity of what lies beyond the hurdles of life. To recognize that the desire to peruse and live a fulfilled life is an incredible force depicted in our journeys and ordinary narratives.

As I stated earlier in the introduction, my journey had responded the calling. So I developed a program based on the ‘above the line and below the line thinking’ model called A Journey To Personal Mastery.

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PEARLS OF PEDIGREE

This is one of the stories inspired by a childhood journey with my family from Raga to Wau, towns in western Bahr el Ghazal in the southern part of the Sudan in 1987. What had prompted me to write the memoir had been the events that had followed the South Sudanese attainment of a sovereign state.

This is a story that depicted what was sought after even before my birth. I came along and joined the march to demand for equal status. For me most parts of the story had been tough. In my writing, I had to take an expedition of self-composure. I had to take my forethought into an anticipated future and come back to write with that visualization. I had to withdraw my sentiment from what could call for vengeance and speak up for what the child had stood for. Within it is a reflective memoir about the power of a good cause and a family who believed in the triumph of the people. In their enactment, they raised a child within a time disguised by war and social discords. In a subtle journey along the lines of family relations and social associations, the story evolved.

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Gabriella

These descriptions pronounced a time in which dynamism to action was essential on uncountable frontiers. Most of the accounts encompassed an anticipated projection of a time between 1988 and 1990 in a town called Wau, a focal town of Bahr el Ghazal region in the present-day South Sudan that was then obscured by the derivations of revolutionary advancements. These recounts denoted interpretations of significant assemblies to a time that had remained in commemoration to the amount of emphasis on provoking proceedings. The family in the narrative is an extended family of Gabriel Makro from Upper Nile and his in-laws the family of Julio Baki from Bahr El Ghazal. The narrative in most parts evolved around my mother Guiletta Julio Baki and her family; children Flora, Rejoice and John. Brothers, Osman, Justine and Joshua, sister Santina and friend Izdihar. In-law, Albino.

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